When an auteur opens his film with a quote from Rumi's The Great Wagon, then subtly weaves the most meaningful verses into the script, one must look beneath the surface, or obvious plot, for the ingenious spiritual and enchanting subplot where the soul of the film dwells. Bhandal’s The Last Boy did not disappoint. The bar was set pretty high by Luke and Perry’s first film, Interview With a Hitman. Being a huge fan of Perry Bhandal and Luke Goss, I was truly looking forward to finally seeing this film.
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